Catalogue Number 10
Corn'. Dusakt
No. 113
OLD PRINTS AND '
ORIGINAL DRAWINGS
DECEMBER, 1915
R. EDERHEIMER PRINT^CABINET
366 FIFTH AVENUE, NEW YORK
PUKER
No. 102
Illustrated Catalogue
of a Miscellaneous Selection of
RARE ENGRAVINGS, ETCHINGS
and
ORIGINAL DRAWINGS
of Many Schools and Periods
From the Portfolios of
R. EDERHEIMER PRINT^CABINET
366 FIFTH AVENUE, NEW YORK
OFFERED AT PRICES ATTACHED
CHRISTMAS, 1915
A R R A N G K 1) AND P R I \ 1 K I)
A r THK BARM'S PRIN TJNG CO.
id HAST IJJ S TRKET, NKW YORK
H. S. Beham
No. 45
Notes
WING to the war it was impossible last
summer to travel over Europe, making
researches and special collections, such
as have in the past provided the mate-
rial for my catalogues. It is for this
reason that I find myself limited at
present to a publication of a more gen-
eral and a more commercial nature
than usual.
Dealers are reluctant to issue priced
catalogues of engravings, because some
readers will readily consider a dealer
expensive or unreasonable if they see a high price for a fine
impression, a poor specimen of which they have acquired or
seen for ever so much less. Yet I include the prices in this cata-
logue without fear, with the conviction that every item repre-
sents at least the full value. This catalogue does not include
my entire stock, but only a small miscellaneous selection from
my collections, giving a fair idea of their varied character.
The alphabetical order — prints and drawings mixed — has
been chosen so as to give the best possible picture of that va-
riety. A systematic index in chronological order has been added.
The same system of variety underlies the selections of the repro-
ductions, which include costly rarities, and also low-priced items,
showing that a fine and interesting engraving or original draw-
ing can still be acquired at a very little cost.
Defects of prints (there are only few showing such) have
conscientiously been stated. There are purposely a number of
lesser items (later states) included, which inexpensive as they
are, would form suitable and attractive holiday gifts.
To the bulk of pieces by the old masters a few line-engravings
DURER
No. 103
of the early 19th Century have been added. These are some of
the finest pieces from a very large collection in my possession.
The impressions are all of the greatest beauty, and these engrav-
ings have, not ten years ago, commanded about four times as
large a price as that at v^^hich they are here quoted.
Shipments on approval out of town cannot be made during
the month of December, but every item ordered will be readily
taken back in exchange, if not fully satisfactory.
in,c R- EDERHEIMER.
November, 1915.
6
Aldegrever
Catalogue
Heinrich Aldegrever, 1502-1562
1 Adam and Eve
Bartsch 7 and 8
A Ijeautiful pair of Prints.
Duplicates from the Royal Collection, Dresden. Pair $20.00
No. 2
2 Ornament
Bartsch 260
E.xtremely fine impression.
See reproduction above.
35.00
3 Ornament
Bartsch 281
Brilliant impression ; Collection Shroeder.
See reproduction, page 8.
7
25.00
ALi)i;(,Ki:viik Xo. 3
Albrecht Altdorfer, 1488-1538
4 Judith
Bartsch 1
\ ery tine inn)re.ssii)n. 20.00
5 King Solomon, Adoring the Idol
Bartsch 4
ILxquisite little i)rint. 15.00
6 The Virgin Enthroned
Bartsch 13
Beautiful impressicm of the minute plate, \ery rare.
See reproduction, page 9. 28.00
7 The Virgin and St. Anna
Bartsch 14
(iood impression, \-erv rare. Collection Heffner v.
.\lteneck, ' 24.00
8 The Virgin and Child, in an Open Landscape
Bartsch 17
Capital ])late, in super!) impression, \ery rare. 70.00
9 The Centaur
Bartsch 37
N'ery small plate, extremely line and rare.
Collection Lanna. 20.00
8
10 Two Satyrs Fighting for a Nymph
B. 38
Sul)iect similar to the one treated in Diirer's Jealousy.
\'ery delicate and tine. Collection v. Baldinger.
See reproduction 15 00
11 Woman Bathing
B. 56
Cliarmino- Little Plate.
12.00
Altdorfer
No. 6
-Vltdorfer
No. 10
Jost Amman, 1539-1591
12 Fortitude, Original Drawing
Pen and wash, S-m in. high, 4ij in. wide. 30.00
13 Two Nobelmen With a Horse, Original Drawing
i'en and India Ink, 3"s in. high. 4'^ n in. wide. 30.00
Anonymous Master of the XVIth Century
14 Two. Dagger-Hilts; one with Hercules, the other with
a Roman Warrior
Bartsch X, p. 164, 49 and 50
Superlj impressions. Collection Lanna. Pair, 50.00
Baktolozzi
No. 19
Anonymous Masters, XVIth Century
15 Rich Ornament, in the Style of the Little Masters,
Undescribed
Fine impression, backed. 12.00
16 The Judgment of Paris, Undescribed
Circular engraving, diam. 1;^ inch.
Collection Davidsohn.
12.00
Jacob Adriansz Backer, 1608-1651
17 Study of a Nude, Original Drawing
Beautiful design, in black and white chalk on grey
paper, 7 inches high, 5^4 i'l- wide. 45.00
18 Peasant Woman, Seated on the Ground, Original
Drawing
Characteristic ])iece ; black and white chalk on blue
paper, 7]/^ in. high, 7% in. \vide. 20,00
10
Francesco Bartolozzi, 1730-1813
19 Affection and Innocence, Color Print, Engraved by
P. W. Tomkins
Magnificently printed in colors, ox'al, little margin.
Duplicate from the Collection of the late J. P. Morgan.
See reproduction, page 10. 250.00
Attributed to Bartolozzi
20 Young Woman with a Dolphin, Original Drawing
Black and red crayons, 9yg. in. high, ?}< in. wide. 75.00
Engravings by Bartolozzi
21 Frontispiece to Vol. Ill of Miss Barney's Evelina
l''.xquisite jn-oof before all letters, printed in brown. 10.00
22 Allegorical Frontispiece with Handel Medal
Proof with wide margin. 15.00
23 Mother Taking Leave of Her Son
Lovely small ])rint. proof before all letters, Tuer 922. 15.00
24 Painting, Sculpture and Architecture Rendering Honor
to King George III
Two proof impressions, finished and unfinished. Pair, 25.00
25 Cupid and Psyche, After Cipriani
Tuer 1442
Proof before all letters, Collection Robert Hoe. 10.00
Isaac Beckett, 1653-1715
26 Adrian Beverland, Mezzotint after G. de Vois
Smith 7
Brilliant impression of the first state, framed. 30.00
27 Mrs. Anne Killigrew, Mezzotint After Her Self-Por-
trait
Charming- early Mezzotint. Framed, 18.00
11
Corn. Bkga
No. 29
Cornells Bega, 1620-1664
28 Portrait of Cornelis Cornelisz van Harlem, Original
Drawing
Signed : K(irn. Begga, 4 in. high, i'A '" ^^ide.
29 Three Peasants at a Fire-place, Etching
Bartsch 23
See reproduction. Collection Schroeder.
30 Mother, Holding a Child, Etching
Bartsch 28
Lovely print in fine impression with margin.
Collection von Baldinger.
Abraham Begeyn, 1630-1697
31 The Ford, Original Drawing
Pen, sepia and India ink; 5 in. high. 8 in.
12
i'idt
20.00
18.00
12.00
25.00
Barthel Bkiiam
No. 34
Barthel Beham, 1502-1540
32 A Soldier, Seated
Bartsch 45
Aery line impression, rare. 30.00
33 Soldier on Horseback, Holding a Halberd
B. 49
Fine impression, very rare; Collection w Baldinger. 24.00
34 Coat of Arms of Hier. Baumgartner
B. 57
\'ery fine and rare.
See reproduction 30.00
Hans Sebald Beham, 1500-1550
35 The Expulsion From Paradise
Bartsch 7
Fine impression of the second state (3).
Collection von Baldinger.
13
18.00
H. S. Beiiam
No. Z7
36 The Man of Sorrows
Bartsch 26
Gdod impression, rare.
20.00
37 Triton and Nereid (1523)
B. 86
Impression of greatest brilliancy, see reproduction
Very rare. 30.00
38 Hercules Carrying Off lole
B. 99
Good impression, from the set : The Tweh-e Labors
of Hercules. 12.00
39 Hercules Fighting the Trojans
B. 101
^'ery fine impression, from the same set. 18.00
40 Patientia
B. 138
Superb early impression, before the cross hatchings
on the leg of the iVngel. Together with the reversed
copy, both from the Lanna Collection.
See reproduction, page 15. Pair, 40.00
41 The Disturbed Lovers
B 175
P>rilliant ini])rcssion, collection Lanna.
14
12.00
H. S. BI•:]IA^r
.\o. 4U
42 The Peasant with a Pitch-fork, "Es 1st Kalt Weter"
B. 188
Excellent impression of the first state. Collection
Lanna. 16.00
43 Study of a Man's Head (1542)
B. 219
\'ery fine impression of the third state. 18.00
44 Ornament With Two Fantastic Heads of Fish
B. 235
I'^ine impression of the first state, Collection Schroeder. 20.00
45 Ornament
B. 236
Beautiful impressii3n ; Collection \'. Baldinger. 16.00
See rejjrodiiction, page 5.
15
St. della Bella
No. 46
Stephano della Bella, 1610-1664
46 Two Original Drawings on One Mount
Al)()\e: Two Peasants on a Truck With Horse.
S^/i in. high, 5^^ in. wide.
See reproduction
Below: Roman Sketch with the Coliseum.
6-)4 ill. high, 9)4 in- vvide.
Two superb designs.
Collections, Dimsdale, ^\'oodl5ur^. Case. Pair, 80.00
47 Sheet With Five Small Sketches of Knights and
Armor
Pxquisitc drawing in pen and pencil, 3 in. high, 4j;s
in. wide.
Collections, Dijonval, \\'(iodhurn and (iasc. 20.00
48 Pen Study of Three Musketeers
Same cpiality as that of the two preceding items,
4-'/4 in. high, 3-J4 in. wide. Collections Dimsdale and
I-:sdaile. 25.00
16
Nicholas Berghem, 1620-1683
49 A Sheet with Ten Studies of Sheep ; Superb Crayon
Drawing
Signed. 7^ in. high, lOjs in. wide. 60.00
Barie Jeanne Bernard, 1740-1804
50 Portraits of Louis XVI and Marie Antoinette
Pen and water color drawing with a caHgraphic border
by the artist's father, Jean Joseph Bernard, called Ber-
nard de Paris, famous calligrapher.
This design has been engraved.
14^ in. high, lO^-^ in. wide. 175.00
Jacob Bink, 1490 or 1504-1560
51 Judith
Bartsch, engraved 1528
Good impression, rare. 16.00
Bonnet
17
No. 56
52 Cupid Riding on a Dolphin
Bartsch 47
Delicate little print, rare. 15.00
Herri met de Bles (Blesius), Netherland School,
XVIth Century
53 St. Luke, Painting the Madonna, Original Drawing
Rich composition, ])eii on yellowish ground, with
white high lights.
Circular, diameter 10' j inch. 300.00
Abraham Blootelingh, 1634-1685
54 Catherine, Queen of Charles II. After Sir Peter Lely
Iixquisite early Mezzotint. 15.00
Robert Boissard, French School, about 1600
55 Nymphs, Surprised by Satyrs. Original Drawing
Charming" design in ]>en ; circular, diameter 6 in. 35.00
Louis Marin Bonnet, 1743-1793
56 Head of a Young Girl, After Carle Vanloo
Lo\ely crayon engraxing "'en deux crayons" on blue
paper; ver)' fine and rare : see reproduction, page 17. 225.00
Francois Boucher, 1704-1770
57 Diana and Endymion, Original Drawing
Su])erl) and highly characteristic design, in black and
white chalk on bluish-grey paper, signed.
Oval. 11)^ in. high, 15 in. wide.
See reproduction, page 19. 700.00
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BuUMER-JUBIER
No. 58
Michel Honor'e Bounier, 1740-1814. Engraved by
Jubier
58 La Confidence
Charming I'reiich Color-engraving, very rare.
Entirely printed in colors, with margin.
See reproduction. 250.00
Leonard Bramer, 1596-1674
59 Abraham's Sacrifice
Vigorous pen and .sepia drawing, close to Rembrandt's
style.
9j/8 ill- liigli, 7^8 ill- wide. 35.00
20
Joerg Breu, 1480-1537
60 Tubal Cain Inventing Music
Alasteiiy Chiaroscuro drawing in lilack and white on
brown ground, dated 1522.
137(. in. high, 6' 2 in. wide. 450.00
61 Fountain of Youth, Original Pen Drawing, partly
colored
Alagniticent ; most characteristic piece.
See reproduction.
Circular, diameter 11 in. 450.00
Jan Bronkhorst, 1648-1727
62 A Sheet With 24 Studies of Insects
Exquisite pen and water-color ch-awing. Collection
A. Sigwalt.
31-4 in high, /! j in. wide.
30.00
JoERG Brei;
No. 61
21
Theodor de Bry, 1528-1598
63 De Hoopman van Weysheyt (Prince William of Nas-
sau)
Portrait in rich circular ornamental border.
Circular engraving for a plate design. 15.00
64 De Hoopman van Narheyt (The Duke of Alba)
Companion piece to the preceding item.
Superb imjjression with full margin. 15.00
Henry William Bunbury. Died 1811
65 Love and Jealousy, and Love and Hope
A pair of beautiful oval color-prints, engraved by C.
Knight. Closely trimmed to the oval. Duplicates
from the Collection of the late Mr. j. P. Morgan.
Pair. 350.00
C.\LI,OT
No. 66
22
LucA Cambias
Jacques Callot, 1592-1635
66 The Slaughter of the Innocents
Meaume 6
Superb impression of the first state, very rare.
See reproduction, page 22. 25.00
67 The Parable of the Prodigal Son
M. 53-63
Complete set of 11 in excellent uniform impressions
of the second state, Ijefore the numljers.
From the Collection of Dr. Straeter. The Set. 80.00
68 Balli di Sfessania (Cucurucu) Caricatures of the Ital-
ian Comedy
M. 641-664
Complete set of 24 in Ijrilliant uniform impressions of
the first state, before the numbers. 95.00
Luca Cambiaso, 1527-1585
69 The Rest in Egypt, Original Pen Drawing
137-^ in. high. 9's in. wide. Collection Count (jelozzi.
See reproduction. 75.00
23
1 )(IMI-:NI(.() CxMl-AdNOLA
No. 70
Domenico Campagnola, 1484-1556
70 Mountainous Landscape with Roman Ruins and
Statues
Original drawing in brown ink. One of the drawings
previously attributed to Titian.
8 in. high, 11 in. wide.
See reproduction. 250.00
Alonzo Cano, 1601-1665 (Spanish School)
71 St. Cecilia, Original Drawing in Sanguine, Signed
434 ill- hig'li. -I-,' 2 in. wide. Collection C. (iasc. 40.00
Ugo da Carpi. Born about 1486
Italian originator of wood-cuts in Chiaroscuro
72 The Slaughter of the Innocents, After Marc Antonio
Bartsch II, 7
\\\iod-cul in Chiaroscuro from three ])lates.
I'.xcessively rare. 75.00
73 The Miraculous Draught of Fish, After Raphael
B. II, 13
Chiaroscuro from three ])lates, second state with the
address of A. Andreani. 40.00
24
74 The Resurrection, After Raphael
B. II. 22
Superb Cliiaroscuro fnim three plates. 60.00
75 The Death of Ananias
B. II. 27
Chiaroscuro from three plates,
(iood impression of the second state (3). 40.00
76 Sibyl, Holding a Torch
B. V. 6
The first Italian attempt at Chiaroscuro irom two
])lates. Collections Alariette and Gawet. 75.00
77 Venus With Cupids at Play
B. VII. 3
Oval. Chiaroscuro from three plates: of the greatest
rarity. ' 100.00
Giovanni Battista Cipriani, 1727-1785
78 Head of a Young Girl, Original Drawing
Black crayon anil water-culnr. 6^,^ in. high, Syi in. wide.
See reproduction. 45.00
79 Another Girl's Head
Drawing ecpial in size and style to the preceding item. 45.00
^'■jS» '^■\v
I
ClI'KI.^NI
No. 78
Alakrt Clafs No. 80
Alaert Ciaes. Active between 1520 and 1555
80 The Virgin Crowned by Two Angels
Aumueller 47
Engraving, delicately printed and \ery rare.
See reproduction. 35.00
81 Standard Bearer, Drummer and Piper
Passavant 121
Charming circular print, very rare. 18.00
Bartolomeo Coriolano, 1590-1649
82 A Sibyl With an Angel
Bartsch V. 2
Wood-cut in Chiaroscuro from two plates after d.
Reni. 15.00
Cornelis van Dalen, 1502-1564
83 Portrait of Rudolf Petri
iMi^raNed after ,\. van Nieulandi.
\'erv fine inijjresMon. 15.00
26
Claes Cornells Delif. Died 1620. Pupil of Miereveldt
84 Portrait of Henri Frederick, Prince of Orange
Brilliant impression, \ery rare. 35.00
Willem Jacobz Delff, 1580-1638
Ernest Prince of Mansfeld, Engr. 1624, After Miere-
veldt
Fr. 43
Good impression. 30.00
Gilles Demarteau, 1729-1776
Portrait of Carle Vanloo, After Himself
Crayon engraving, printed in red.
Beautiful and decoratixe piece. 25.00
Auguste Gaspard Louis Boucher-Desnoyers, 1779-1857
87 La Belle Jardiniere, After Raphael, Line Engraving
Superb impression of the first state, with Desnoyers
own signature. ( )ne of the finest Line-Engravings
of the greatest rarity in this state.
See reproduction. (With margin, not x'isiljle on the
cut). 100.00
85
86
BofCHER-DHSNOVEKS
27
Xo. S7
88 La Vierge a la Chaise (Madonna della Sedia, After
Raphael)
Scratched letter ])roof, extremely rare. 35.00
89 La Vierge au Berceau, After Raphael
]q)reu\e d'artiste. (Proof impression liefore the first
state). A'ery rare. 40.00
Domenico Zampieri, called II Domenichino, 1581-1641
90 Study of a Sleeping Youth; Original Drawing in Red
Chalk
6y, in. high, 75/g in. wide. Collection Nath. Hone
1718-1784.
See reproduction.
John Downman, 1769-1824
91 Mrs. Siddons, engraved by P. Tomkins
Beautifully printed in liistre.
Pierre Drevet, 1664-1739
92 Portrait of Jean Issaly (1620-1702)
F. D. 74
Pirilliant impression.
75.00
125.00
15.00
Do.MKNU'llINO
No. 90
28
DiJRER
No. 95
Albrecht Durer, 1471-1528
93 The Sudarium, Held by Two Angels, Copper En-
graving
Bartsch 25
Brilliant impression from the Rtimpf Collection. 300.00
94 The Sudarium, Held by One Angel, Etching on Iron
B. 26
Very fine impression, before the rust spots. 75.00
95 The Virgin (with short hair) and the Child on a
Crescent
B. 33
Extremely fine impression, Collectiim Junius S. Mor-
gan.
See reproduction 225.00
29
nC'RER
No. 97
96 The Virgin Nursing the Child
B. 36
(iood impression of the lovely plate. 80.00
97 The Virgin Holding a Pear
B. 41
Imprcssiiin of perhaps unicpie I)rillianey, with wide
margin.
Collections : Julian Marshal, Morrison, Roliert Dunies-
nil. See rei)ro(luction. 650.00
30
98 The Five Disciples of Christ
Bartsch 46-50
Uniformly lirilliant set df h\'e, frinn the collections
-Marshall. Morrison, Th. Ir-wiii and J. S. Morgan.
Set of five. 250.00
99 Apollo and Diana
Bartsch 68
Superb impression, \-ery rare.
See reproduction 200.00
100 The Satyr Family
B. 69
A^ery fine impression from the Collection Lord Ayles-
ford.
See reproduction 200.00
D
L'RKK
No. 99 Dl-ri-:u
31
No. 100
DURER
No. 101
101 The Rape of Amymone
Bartsch 71
Brilliant inipressiun, from the Collection A Firmin-
Didot.
See rei)r()cliicti()n 250.00
102 The Melancholia
Bartsch 74
Capital plate in an impression of nnsurpassahle
beauty. Collections: Arcliinto, Firmin-Didot, (ialli-
chon, M. J. Perry.
See reproduction on front page. 1,800.00
103 The Large Fortune
B. 77
Impression of the greatest i)eauty, on paper with the
high Crown water-mark. Written on tlie reverse: A
Paris chez Pierre Mariettc, Rue St. Jacque a L'l'lper-
ance 1679.
See repr(uhicti(in, i)age 6. 650.00
32
104 The Little Courier
B. 80
Fine impression; very rare. 110.00
105 The Hostess and the Cook
B. 84
Fine impression, from the Rnmpf Collection.
See rcprc.icluction 95.00
106 The Promenade
B. 94
Fine impression. Collection J. S. Morgan. 275.00
107 The Little Horse
B. 96
Impression of the greatest brilliancy, of greatest rarity
in such condition. Collections Robert-Dumesnil and
J. S. Morgan. 450.00
Dl'rkr
33
No. 105
108 The Coat of Arms with the Cock
B. 100
Brilliant early impression, upper left eorner restored. 150.00
109 The Coat of Arms with the Skull
B. 101
Brilliant early impression. See reproduction.
Collections: Mariette and Marsden J. Perry. 390.00
110 Portrait of Philipp Melanchthon
B. 105
Very fine impression, i)aper with the water-mark of
the little jug. See reproduction, page 35. 140.00
DUUEK
No. 108
34
I V IVENTIS ■TOTVlT-DVREK.I\'-5- ORA PHI UPPI
A\£NTEAVNONPOTViT-PiNCaiRE-DOCTA
DURER
No. no
111 Portrait of Ulrich Varnbueler, Wood-cut
B. 155
Good impression in perfect C(.)nditi< m, vevy rare.
112 St. Martin, Dividing His Cloak, Wood-cut
B. app. 18
Clear early im])ression. \ery rare.
125.00
45.00
Cornells Dusart, 1665-1704
113 Young Man, in Full Length, Resting on a Chair.
Original Drawing
Exquisite design in red and l)Iack chalk uii blue paper.
11 in. high, 7^ in. wide.
See reproduction on cover. 120.00
114 Seated Man, Smoking, Holding a Pitcher in His
Right Hand, Original Drawing
Fine black and white chalk drawing; on grev paper.
9}i in. high, 6% i"- wide. " ' 45.00
VAN DVCK
Ao. 115
Anthony Van Dyck, 1599-1641
(Attril)uted to)
115 The Slaughter of the Innocents, Original Drawing
Superb and vigorous composition in chalk and wash
on greenish paper; 934 i"- high, ^^Vs i"- wide.
See reproduction 200.00
From the Iconographie of A. Van Dyck:
116 Franz Franck, or Francken
Wibiral 6
Original etching In' van Dyck.
Fine later impression. Collection A. Firmin Didot. 20.00
117 Jodocus de Momper
Wibiral 7
Original etching l)y \an Dyck,
Good later im]5ression, with wide margin.
118 Jan SneUinx
W. 102
(iood impression of the fifth state. Collection v.
Baldinger.
36
18.00
15.00
119 Margaret of Lorraine
W. 23 II, engr. by Schelte a Bolswert
Superl) impression, extremely rare. 15.00
120 Andreas Colyns de Nole
W. 34 I, engr. by Peter de Jode
First state, impression of greatest beauty, very rare. 25.00
121 Marquis de Mirabella
W. 150 I, engr. by Conr. Waumans
Beautiful impression of the first state, \'ery rare. 20.00
122 Raphael Sanzio
W. 162 I, engr. by Paulus Pontius
Sujjerb impression of the first state, of greatest raritv. 45.00
Richard Earlom, 1728-1822
123 Alope (Lady Hamilton), After Romney
Lovely stipple engraving in beautiful impression.
Printed in brown, with margin: framed. 45.00
124 The Holy Family, Mezzotint After Rubens
Proof before the letters, superb impression with mar-
gin. 70.00
Gerard Edelinck, 1640-1707
125 Robert Arnauld d'Andilly
R. D. 142
Good impression of the second state, before the name
and the reduction of the plate, with margin. 15.00
126 Pierre van Bouc
R. D. 157
Fine impression of the first state.
Collections Gawet, Firmin Didot and others. 20.00
57
John Faber, 1684-1755
127 Charles Montague, Earl of Halifax, Mezzotint
Beautiful impressiun. with margiu. framed. 35.00
128 Philipp Mercier, the Painter, Mezzotint After Himself
Fine inipressiou with margin. 10.00
Antonio Fantuzzi, called da Trento, 1508-1550 (about)
129 Nude Man, Seated in a Landscape
B. X 13
\\^ood-cut in chiaroscuro from 2 |)lates. after Parme-
oiano. 20.00
i
FrACOXAIxI) ^-'o- 1-^0
38
Jean Honore Fragonard, 1732-1806
130 Two Women, Playing With a Child. Original Draw-
ing
Bold and characteristic sketch. frLim the cdllectiim
Baron Roger de Portalis : 6-/4 in. high, 8"s 'H- wide.
See reproduction, page 38. 250.00
131 Female, Allegorical Figure, Seated on Clouds, With
Angels
Clever and Isold sketch, in hlack chalk and sepia.
10>2 in. wide, 7;>4 in. high. 200.00
Thomas Frye, 1710-1762
132 Head of a Man, in Life-size, Mezzotint
Smith 14
Fine proof, with margin. I-'ramed, 45.00
Thomas Gainsborough, 1724-1788
133 Portrait of a Young Lady, Original Drawing
Lovely charcoal sketcli witli delicate \\'ater-coloring.
signed : Thos. Gainsljorough.
6^ in. high. 4/2 in. wide. 150.00
Aart van Gelder, 1645-1727
134 The Good Samaritan With His Wife and An Angel
Bold pen and sepia <h-a\ving in RemhrantU's manner. 75.00
135 Joseph Inquiring For His Brethren
Same in style and dimensions as tiie preceding item.
8 in. high. UjA in. wide. "" 75.00
James Gillray, 1757-1815
136 L'Enfant Trouve, After Lavinia Countess Spencer
Exquisite stipple eiigr;i\ing in l)r(i\vn. with full mar-
gin. 60.00
.39
Glockknton
No. 137
Monogramist A. G. (Albert Glockenton)
End of XVth Century
137 The Capture of Christ.
Bartsch 5
\'ery fine impression. Collection Hefner \". Alteneck.
See reproduction. 50.00
138 Christ Crowned With Thorns
Bartsch 8
Fine early impression. 30.00
Hendrick Goltzius, 1558-1616
139 The Adoration of the Shepherds
Bartsch 21
The unfinished ]ilate, beautiful impression of the sec-
ond state, with the date 1615. 12.00
140 Christ Bearing the Cross, from the Passion Set
Bartsch 35
lirilliant impression. 10.00
40
141 Henry IV, King of France
Bartsch 173
Capital plate, in gocicl im])ressii)n of the third state.
\'ery rare. 50.00
142 Portrait of an Unknown "God verzacht" 1582
Bartsch 206
Brilliant impression, see reproduction. 20.00
143 The Goddess of Night
Bartsch 237
A\'ood-cut in chiaroscuro from three plates, oval. 25.00
144 The Sorcerer
Bartsch 238
Same as the preceding item ; with full margin. 25.00
CiOLTZIUS
No. 142
145 Diana, Original Drawing
\'ery spirited design in pen and water-color.
( )\-al, 5?g in. high, 43/^ in. wide.
41
60.00
146 The Triumph of Galathea, Original Design for the
Engraving After Raphael
Pen, in red ink and India ink wash.
21 in. high, 17 in. wide. 35.00
School of Goltzius (Matham or Saenredam)
147 Sketch With Three Young Women
Spirited lilack chalk drawing on greenish paper.
5/8 ill- liigli-. 412 in. wide. 20.00
V.\N (lOVEN
Jan van Goyen, 1596-1656
148 Landscape, Original Drawing, Signed
6 in. high, 10^-^ in. wide.
See reproduction. 90.00
149 Young Woman, Standing
Charming jjencil drawing, 5 in. high. 3j4 in- wide. 55.00
42
GRATELnrp
No. 150
Jean Baptiste Grateloup, 1735-1817
150 Portrait of J. B. Rousseau, After Aved
Miniature engraving in an impression of greatest
beauty, on India paper. See reproduction. 30.00
Valentine Greene, 1739-1813
151 Joseph Carreras
Mezzotint after (i. Kneller, good impression. 10.00
Alexander van Haecken, 1735
152 Laurentius Delvaux, the Sculptor
Mezzotint after J. Wood.
Beautiful impression in perfect condition. 15.00
43
Wolf Ruber, 1480-1544
153 St. Jerome in the Desert, Original Drawing
Pen and white high-hghts on paper grounded in greyish
brown. A drawing of first importance.
8% in. high, 6i/s in. wide. 450.00
William Humphrey, 1740-1795
154 Madame Du Barry, Mezzotint After B. Wilson
Smith 8
Proof before the letter, from the Lanna Collection.
John Baptist Jackson, 1701-1754
155 Portrait of Algeron Sydney
A\'o(jd-cut in Chiaroscuro from three plates.
C. Jegiiek
No. 156
35.00
20.00
Christoffel Jegher, 1620-1670
156 Silenus Supported by Satyrs
Magnificent wood cut after Rubens. Collection v.
Baldinger.
See reproduction. 35.00
44
157 Hercules Conquering Envy
Same as the i)rececling item, superb impression.
40.00
Joseph von Keller. Born 1811
158 Madonna di San Sisto, After Raphael
Third trial proof, not quite finished, signed and in-
scribed by the artist, magnificent impression. 65.00
-^^
,cl^^
^-m
H. S. Lautensack
No. 159
Hans Sebald Lautensack, 1524-1564
159 Landscape With a Town and Castle, 1553
Bartsch 37
Brilliant impression, from the Lanna Collection.
See reproduction.
45
45.00
160 Landscape With a Mediaeval City, 1554
Bartsch 38
Beautiful impression. 35.00
161 Temptation of Christ, 1559
Bartsch 47
Fine, very dark impression. 35.00
162 Large Landscape With Flight Into Egypt, 1558
Bartsch 56
Suj)crb impression. 45.00
Pierre Adrien Lebeau, 1776
163 Portrait of Madame Dugazon
Superb and clecoratixe little print, with margin. 12.00
Johann Friedrich Leonart, 1633-1680
164 Isabella van Assche, After Van Dyck
Andresen 204
One of the earliest Mezzotints.
See reproduction. 15.00
>.miaE« IXM. ISABKILyt VAN .•Vj.'SCHE.^XORIS JlXB:
VnU D^I TVgTI DK jVlEJlSTRATrK , DVA VTVZREr.SrisdJI,
CI VB.BIS BRVXKLLENSliS. -"
T,EnN-.\RT
Xo. ir,4
46
Ottavio Leoni
No. 165
Ottavio Leoni, 1574-1628
165 Portrait of Cardinal Seni, Original Drawing
Black and white chalk on greenish paper. Collection
Mayor.
See reprodnction. 90.00
Lucas van Leyden, 1494-1533
166 Adam and Eve, 1529
Bartsch 3
Good impression of the first state on paper witli the
Gothic P.
Collectit)!! J. S. Alorgan. 40.00
167 Adam and Eve
Bartsch 10
Exceedingly fine impression, from tlie same collection.
See rei)roduction. page 49. 120.00
168 The Wife of Potiphar Accusing Joseph
Bartsch 21
Impression of the greatest l)rilhancy on paper with
the Gothic P. Collections H. J. Brooke and 1. S.
Morgan. " " 70.00
47
Lucas vax LilMh.x
No. 169
169 David Playing Before Saul
Bartsch 27
Fine impression on Paper with the (iothic P.
J. S. Mortjan collection.
170 David in Prayer, 1520
Bartsch 29
h'.lchint; cm inin, very .L^nod impression.
200.00
20.00
171 The Visitation
Bartsch 36
\'ery good impression, duplicate from the Berlin Mu-
seum. 20.00
172 The Virgin and Child on a Crescent
Bartsch 81
Fine impression, very rare. Collection J. S. Morgan. 75.00
173 Mahomet and the Monk Sergius, 1508
Bartsch 125
Lucas' first dated plate, fine delicate impression from
the same collection. 150.00
LUC.A.S VAN T.F.VnEN
No. 167
49
174
175
176
Lucas van Levdex No. 174
The Promenade
Bartsch 144
Impression of the greatest l)rilliancy.
Collections H. J. Brooke, H. Weber, J. S. Morgan.
See re])rt)duction.
The Self Portrait With the Skull
Bartsch 174
\'ery good imjiression, rare.
125.00
45.00
Charles Louis Lingee. Born 1753
Portrait of Mile, de Rancourt, Actress of the Com-
edie Frangaise. After Sigm. Freudeberg and J. M.
Moreau le Jeune
Beautiful a.nd decoralixe engra\ing. 16.00
Joh. Lingelbach, 1625-1687
177 A Group of Horsemen and Ruins, Original Drawing
]^cn and wash, 4;'4 in. high, SjA in. wide.
15.00
Jan Livens, 1607-1663
178 Portrait of an Old Man, Original Drawing
Sepia, India ink and light coloring.
9^. in. high, 7|x in. wide.
75.00
Giuseppe Longhi, 1766-1831
179 Lo Sposalizio, Line Engraving After Raphael, Milan,
1820
Capital plate, first state on India paper.
One of the finest line-engravings, in superb impres-
sion. 60.00
180 The Vision of Ezekiel, After Raphael, Line Engraving
First state, with scratched artist's name.
From the Ouandt Collection. \'erv rare. 55.00
Cl,.\UDE LoKK.MN
No. 183
51
181 Mary Magdalen in the Desert, After Correggio
Proof before the letters, also one of the most famous
line-engra\ings, very rare. 70.00
Constant Louis Ant. Lorichon. Born 1800
182 The Madonna Bridgewater, Line Engraving After
Raphael
Epreiue de remarque : very beautiful and rare. 30.00
Claude Lorrain, 1600-1682
183 The Flight Into Egypt
R. D. 1
Superb impression of the second state of four, very
rare.
See reproduction, page 51. 35.00
184 The Apparition
R. D. 2
Fine impression of the third state, delicately etched. 30.00
Eduard Mandel. Born 1810
185 The Madonna Colonna, Line-Engraving After
Raphael
Fine open letter proof, with full margins, framed. 25.00
186 Portrait of a Young Man (Raphael)
iMuishcd trial jjroof, framed. 30.00
52
Maxtegxa ( School)
53
No. 190
Andrea M
\xti:(;na
No. 188
Andrea Mantegna, 1431-1506
187 The Battle of Sea Gods (The right portion of a frieze)
Bartsch 17
\'ery fine imjM-ession, in perfect condition.
188 The Bacchanale With Silenus
Bartsch 20
Fine imjires.sinn oi the original plate.
Duplicate of the British Museum.
See reproduction.
250.00
350.00
189 The Same, The Close Copy, which Ottley considers
the earlier Original
Hind 2'''
Su])erl) early impression in greenish grey ink, slightly
repaired. Impressions of the quality of this plate are
of the utmost rarity. Collection Junius S. Morgan. 650.00
54
School of Mantegna:
190 Christ Descending Into Hell
Bartsch 5
Superb early impressitm. somewhat cut and repaired.
Collection Junius S. Morgan. See reproduction. 500.00
191 The Senators (From the Triumph of Caesar)
Bartsch 11
Good impression in brown ink. Collection J. S.
Morgan. • 50.00
192 Soldiers Carrying Trophies (Triumph of Caesar)
Bartsch 14
The reversed copy of Bartsch 13 with the pilaster
added ; beautiful early impression. Collection J. S.
Morgan. 75.00
Robert Sam. Marcuard, 1751-1792
Pupil of Bartolozzi
193 Kronos and Rhea, Stipple engraving, printed in brown
Beautiful im])ression, with full margin. 30.00
194 Cupid and Psyche, 1781
Lovely stipple engraving, printed in brown, margin. 30.00
Antoine Masson, 1536-1700
195 Louis Abelly, Bishop of Rodez
R. D. 8
Fine impression, with margin. 25.00
A. jMasson
No. 196
196 Guillaume de Brisacier (The Grey-haired Man)
R. D. 15
Good impression of the fourth state, with margin.
See rei)ro<hiction. 75.00
Jacob Matham, 1571-1631
197 Mythological Scene, Original Drawing
I'en I in N'elhnn, signed, design for an engra\'ing.
7yj[ in. high, 11*4 '"• wide.
See repnxhiction, page 57.
56
95.00
Claude Mellan, 1598-1688
198 Henri, Due de Montmorency
I'"ine early impression, \vith margin. 10.00
199 Anna Maria Vajani, Paintress
Montaiglon 256
Good impression of the second state, with address of
Odieuvre.
See reproduction, page 58. 8.00
Willem van Mieris, 1635-1681
200 Young Woman With a Parrot, Original Drawing
Black chalk on 1ilue pa])er.
8J4 ill' li'gl"', ^Vi ill- wide.
35.00
J. Mat II AM
No. 197
57
B^aiT.-lEfr'j' WIS. !;«;,?■,>•"
A PARIS
Mellan
No. 199
Jan Miense Molenaer, 1600-1668
201 A Group of Drinking Peasants, Original Drawing
Black and white chalk on blue paper.
105/8 in. high, 16^ in. wide. 75.00
202 Two Sketches of a Peasant, on one sheet. Original
Drawing
Spirited design in lilack and white chalk on l)ro\\n
paper. 5->:4 in. high, 4ji in. wide. 20.00
Benedetto Montagna. Active between 1500 and 1540
203 Young Man Seated Beside a Palm Tree
Bartsch 16
Good later impression, the address of Guidotti erased.
Collections: Count F.nzenl^erg and Mascha. 24.00
Monogramist F. G. (Italian of the XVIth Century)
204 Two Cupids Playing With Lions
Bartsch IX, p. 27, 8, After Raphael
Collections: Gawet and Rechberger. Rare. 45.00
58
Monogramist H. S. E. (German XVIth Century)
205 Upper Part of a Dagger-hilt, with Lucretia
Pass. 6
Extremely rare, from the Lanna collection. 16.00
Monogramist M. Z. (Zagel, Zasinger) German. End
of 15th Century
206 Solomci, Adoring the Idol
Bartsch 1
Good early impression. Collection Da\'idsohn ; rare. 55.00
207 The Martyrdom of St. Sebastian
Bartsch 4
Fine impression. Collection Peltzer. 25.00
Raphael Morghen, 1758-1833
208 The Transfiguration, Line Engraving After Raphael,
1811
Capital plate, impression of suj^reme beatity on India
Paper, first state. 90.00
209 The Madonna Delia Sedia, Line Engraving After
Raphael
Beautiful impression. 16.00
210 The Madonna del Granduca, 1823
Proof before the letter. \ery rare. 18.00
Jean Morin, 1600-1666
211 Michel de Marillac
R. D. 66
Fine impression, with margin. 20.00
George Morland, 1763-1804
212 Watering the Cart Horse, Mezzotint engr. by J. R.
Smith
Beatitifiilly printed in colors, no margin.
Dtijjlicate from the collection of the late J. P. Mor-
gan. " 200.00
213 Girl with Pigs, Mezzotint, engr. by William Ward
( )pen letter jiroof, with margin, fine impression,
framed. 75.00
59
Christian Fred. Mueller, 1782-1815
214 The Sistine Madonna, After Raphael
One of the masterpieces of line-engraving', in the nii-
finished trial proof impression, before the halo.
Only very few impressions known. 400.00
Christoph Murer, 1558-1614
(Famous Swiss Glass Painter)
215 Orpheus, Playing to the Animals
Fine pen and India ink drawing.
6ys in. high, 3ji in. wide. 70.00
Robert Nanteuil, 1630-1678
216 Anne of Austria, Queen of France
R. D. 23
Second state, engr. 1666, one of the large j)lates, good
impression, closely trimmed, rare. 55.00
217 Antoine Barrillon de Morangis
R. D. 31
Only state, brilliant impression, with yz-in. margin. 75.00
218 Bochart de Saron
R. D. 42
(_)nly state, fine impression, one small defect repaired. 20.00
219 Frederick Bosquet, 1671
R. D. 44
I^ine impression of the second state, small margin. 50.00
220 Victor Le Bouthillier, Archbishop of Tours
R. D. 54
Good impression of the second state, with small
margin. 30.00
221 Jacques, Marquis de Castelnau, 1658
R. D. 58
Ciood impression with margin. 25.00
60
Nanteuil No. 222
222 Alexandre de Seve
R. D. 82
Brilliant impression of the greatest beauty.
See Reproduction. 100.00
223 Bernard de Foix de la Valette, Due d'Espernon
R. D. 91
Superb imi^ression of the first state, with margin.
Very rare. 100.00
224 Hippolyte Ferret, 1669
R. D. 95
Exceedingly fine impression of the first state witli
wide margin. 40.00
225 Jean Fronteau
R. D. 99
After Cabouret, first state. 1663.
One of the small portraits, with margin. 15.00
61
Xa-xtel'il Xo. 230
226 Louis Hesselin
R. D. 110
First state, engr. 1658.
Brilliant impression, with wide margin. 60.00
227 Michel le Mask
R. D. 126
iMrst state, 1658.
Impressidii (if the greatest l)rilliancy. with margin. 80.00
228 Charles Maurice Le Tellier
R. D. 138
Only state, 1663.
Beautiful impression, with margin. 60.00
229 The Same
R. D. 139, 1664
I'^ine impression of the fourth state, with wide margin. 75.00
230 Jean Loret, 1658
R. D. 150
Capital phite in Inn impression of the third state.
Very rare.
See reproduction. 55.00
231 Francois Mallier du Houssay
R. D. 167
I'inc im])ression of the second state.
follcction A. JMrmin-Didot. 43.00
6J
232 Cardinal Mazarin
R. D. 187
First state.
Capital plate, exceedingly rare in this slate.
Good impression, but repaired . 30.00
233 Francois Theodore de Nesmond
R. D. 202
Superb impression of the second state (i>f four) with
the (late 1663. with margin. 60.00
234 Nicholas Potier de Novion
R. D. 206
Second state of fiiur. dated 1657.
Good impression, with small margin. 40.00
235 Charles Paris d'Orleans Longueville, Comte de St.
Paul
R. D. 219
Brilliant impression, with margin.
See reproduction. 150.00
s^^^pff^swwfwpwtKsw'wpwww* ^, ^ m\v^fm»w » m} ' ^ k'w ' J m i> i ! jwirt
N.^NTEUIL
63
No. Uh
Ogborne
No. 236
John Ogborne, 1725-1795
236 Mrs. Jordan in the Character of the "Country Girl"
Sti])i)le engraving after Romney. Entirely printed in
coliirs. Old Margin restored. Duplicate from the
Collection of the late J. P. Morgan.
See reproduction. 400.00
64
Adrian van Ostade, 1610-1685
237 The Knife-thrust, Etching
Bartsch 18
(iocid impressidii with niari;in. 20.00
238 The Singers at the Window
Bartsch 19
\'ery line impression. 18.00
239 Interior of a Grange, With Peasants, Original Draw-
ing
Characteristic design in black and white chalk im blue
paper; 8^ in. high, 7j4, in. wide.
See reproduction. 150.00
Jean Parrocel, 1648-1704
240 A Sheet With Sketches of Shooting and Fallen
Soldiers
Bold and characteristic sansj'uine drawing.
7ji in. high, 10 in. wide. 20.00
OST.MIF.
No. 239
65
2^.
Peregrino, Niello
No. 247
Charles Parrocel, 1688-1752
241 Don Quixote and Sancho
Spirited sanguine drawing.
■ lOys in. high, 13% wide.
Crispin de Passe, 1540-1629
242 The Ascension of the Virgin, Original Drawing
Pen and India ink, from the Lanna Collection.
3^ in. high, 2j/^ in. wide.
Jean Baptiste Joseph Pater, 1695-1736
243 Young Man, Drapery Study in Red Chalk
Exquisite and highly characteristic drawing.
6 in. high. 4?,s in. wide.
Georg Pencz, 1500-1550
244 Jason and Medea, 1539
Bartsch 71
Very fine impression. Collection J. A. Boerner.
245 The Triumph of Bacchus
Bartsch 92
Lovely frieze engraving, I'.s in. high, 11 in. wide.
246 The Six Triumphs of Petrarca
Bartsch 117-122
Complete set of six engravings in lirilliant impres-
30.00
20.00
450.00
sions.
8.00
16.00
50.00
66
PORTAIL
No. 248
Peregrino da Cesena (Italian XVth Century)
247 Niello: The Triumph of Neptune
Bartsch XIII, 208 Duch. 214
Superb impression, of extreme rarity.
See reproduction, page 66. 320.00
Andre Portail. Died 1760
248 Young Girl, Seated in a Chair, Original Drawing
Masterly French design, in black and red crayons.
8}i in. higli, 6 in. wide.
See reproduction (fox stains shown there are ahuost
invisible on the drawing). 500.00
Primitive German Artist. About 1400
249 St. John, the Evangelist, Original Drawing
In rich old coloring, on paper with the Bull's head
water-mark, from the Collecti'ju W. Koller.
8 in. higli, 5's i". wide. 150.00
Richard Purcell. Born 1736
250 Caroline, Duchess of Marlborough, Mezzotint After
Reynolds
Good impression, with margin. Framed, 30 00
67
Marc-Antonio Raimondi. Born about 1475-1534
251 Adam and Eve, Driven from Paradise, After Michel-
Angelo
Bartsch 2
Superl) early impression, \ery rare.
Collection J. S. Morgan. 150.00
252 The Lord Ordering Noah to Build the Ark (Raphael)
Bartsch 3
Beautiful impression of the first state.
Collection J. S. Morgan. 175.00
253 The Slaughter of the Innocents (Raphael)
Bartsch 18
The plate with the Chicot. Fine early impression
repaired. See reproduction, page 68. 250.00
254 The Last Supper (Raphael)
Bartsch 26
Impression of the greatest beauty, e-xtremely rare.
See reproduction, page 70. 400.00
255 St. CeciHa (Raphael)
Bartsch 116
Early imjiression, rei)aired. 50.00
256 Dido (After Raphael, the Landscape After Leyden)
Bartsch 187
Early impression, Collection j. S. Morgan, of greatest
rarity. 150.00
69
70
257 The Judgment of Paris (Raphael)
Bartsch 245
Capital plate in very good impression of the first
state, invisibly repaired. 250.00
258 Mount Parnassus (Raphael)
Bartsch 247
Early, very beautiful impression, few small tears
repaired. 275.00
259 The Young and the Old Bacchant
Bartsch 294
Extremely fine impression : very rare. See reproduc-
tion, page 72.
Collections: Liphart and J. S. Morgan. 200.00
260 A Faun Teaching a Little Boy to Play the Flute
Bartsch 296
Superb early impression.
Collection Lord Bathurst and J. S. Morgan 125.00
261 Apollo of the Belvedere
Bartsch 331
Good early imjiression.
Collection Junius S. Morgan 40.00
262 Apollo
Bartsch 334
Beautiful early impression.
From the same collection. 50.00
71
Raimondi No. 259
263 The Three Graces
Bartsch 340
A'ery l)eautiful early impression. 75.00
264 Mars, Venus and Cupid (After Francia or Mantegna)
Bartsch 345
Beautiful earlv impression of the 2nd state.
Dated 1508. ' 90.00
265 Neptune, Appeasing the Tempest ("Quos Ego")
Bartsch 352
Beautiful earlv impression. \'erv rare.
Collection j. S. Alorj^an. ' 125.00
266 Trajan, between Rome and Victory
Bartsch 361
According to Bartsch, one of the finest pieces of Marc
Antonio. Beautiful imi)ression. with the signature of
Mariette, . 100.00
72
Raimoxdi
Xo. 2.
267 The Bent Stick (After Francia)
Bartsch 369
One of the exquisite and very rare, small, early works.
Good impresion. See reproduction. 75.00
268 The Seven Virtues
Bartsch 386-392
Complete set in uniform impressions of the greatest
beauty. Seven, 300.00
269 Seven Copies, after Diirer's Life of the Virgin
Bartsch 621, 25, 26, 27, 30, 31, 37
("lood early impressions. Each. 10.00
73
REilBUANDT
No. 270
Rembrandt Harmensz van Rijn, 1606-1665
270 The Triumph of Mordecai
Bartsch 40
Beautiful etching in very good impression.
See reproduction.
271 The Circumcision, 1654
Bartsch 47
Very fine impression of the first state, witli margin.
272 Christ Disputing with the Pharisees
Bartsch 68
Fine impression of the second state.
273 Christ Healing the Sick
Bartsch 74 ( Fourth state)
The plate retouched by Captain Baillie.
Superb impression on japan paper, with margin.
Collection Camesina, 1816. \'ery rare.
74
95.00
45.00
45.00
225.00
Ki:.\l IIRAXDT
\o. 274
274 Christ on the Cross
Bartsch 80
Vine im])ression ; rare. See re])rii(lucti<in. 65.00
275 The Baptism of the Eunuch, 1641
Bartsch 98 (( )nly state)
Fine impression of the lightly etched plate. 75.00
276 The Death of the Virgin
Bartsch 99
Brilliant inijjression nf the second state; in perfect
condition.
Collections Bruchman and Hebich.
See reproduction, page 76. 325.00
75
' .Jfl . ■> "-t V.'."
KiCMr.KAXDT
No. 276
277 The Four Orientals
Bartsch 118
\"ery tine im])ressiun.
Collection W'eigel. 40.00
278 Nude Woman, with her feet in the water, 1658
Bartsch 22
Ivxtreniely line inijiression, on thin India paper. 90.00
279 Jan Antonides van der Linden
Bartsch 264
(iuixl inipressiiin. with margin. 95.00
76
280 Janus Silvius. 1633
Bartsch 266
Superb impression. N'ery rare in such quality. 125.00
281 Menasseh ben Israel, 1636
Bartsch 269
\'ery good impression, with margin.
Collection v. Baldinger. 50.00
282 Head of an Old Man
Bartsch 315
\'ery delicately etched. Fine impression, with small
margin. Collection Rumi)f. 30.00
283 Rembrandt's Mother
Bartsch 351 •
Lo\ely little plate, signed and dated 1633
See reproduction. 40.00
School of Rembrandt
284 Rest in Egypt (Original Sepia drawing)
\'ery nuich in Remljrandt's style.
5j^ inches high, 5^ inches wide.
45.00
RlREKA
iN'o. 285
Joseph Ribera, called II Spagnoletto, 1588-1656
285 Satyr, Punished by Cupid (Etching)
Bartsch 12
Good later impression ; rare.
Collections Liphart and Drugulin.
See reproduction. 25.00
School of Rubens, Flemish, XVIIth Century
286 Angels appearing to a kneeling group of Nobles
•Superb drawinj^" in red and black chalk.
8^ inches high, 12^4 inches wide. 75.00
Jacob van Ruysdael, 1628-1682
287 Old Mill (Original drawing)
Charcoal, 4y;s inches high. Sj/s inches wide. 125.00
78
Salomon van Ruysdael, 1600-1670
288 Landscape with Hay-barns (Original drawing)
Charcoal, very characteristic piece.
AYz inches higli. S'^j inches wide. 60.00
William Wynne Ryland, 1729-1783
289 Penelope (Stipple engraving, after Angelica Kauffmann)
Superl)ly printed in colors. Small margin. 175.00
Herman Saftleven, 1609-1685
290 Shore Landscape (Original drawing)
Black Chalk and Sepia.
5^ inches high, lOVg inches wide. 75.00
Pierre Savart, 1750-1778
291 Francois Rabelais, after Sarrabat
Miniature engraving of great beauty. 10.00
292 Fenelon, after J. Vivien, 1771
E.xquisite miniature portrait engraving, margin. 15.00
293 Portrait of Bayle, 1774
Same as the preceding item. 15.00
Martin Schongauer, 1445-1491
294 The Annunciation
Bartsch 3
One of the loveliest pieces of the master. Fine deli-
cate impression.
Collection J. S. Morgan. 250.00
79
295 Christ on the Mount of Olives, from the Passion Set
Bartsch 9
Good impression, margin restored. 75.00
296 Christ Bearing the Cross
Bartsch 21 (^The large plate)
Capital plate in superb early impression.
Collection H. F. Sewall. 2400.00
297 St. Thomas, The Apostle
Bartsch 4
Strong, early impression.
Collection J. S. Morgan. 90.00
298 The Lord Enthroned
Bartsch 70
Fine early impression, on paper with the Bull's head.
Same collection as the preceding item. 175.00
Aart Schouman, 1710-1788
299 Portrait of Louis, Duke of Brunswick-Wolfenbuttel
( )riginal wash drawing, signed and dated.
10 inches high, 6^ inches wide. 25.00
C. Kirkpatrick Sharpe, Engl. School, 18th Century
300 Young Nobleman, with a Greyhound
Delicate water color drawing in the style of R. Co.s-
way. 9]4, inches high, 6.>4 inches wide. 120.00
Heinrich Sintzenich, 1752-1812
(Pupil of Bartolozzi)
301 Frederick William II., King of Prussia (Stipple en-
graving)
Oval, with full margin. 15.00
80
John Raimiakl Smith
No. 306
81
John Smith, 1654-1719
302 Phoebus and Leucothea
Mxquisite little early mezzntint. 15.00
303 Charles I, after van Dyck
Beautiful early mezzotint. framed 18.00
304 Charles II., after Kneller
Same as the ])receding item. framed 18.00
305 The Rt. Hon. Charles Montague, after G. Kneller
Mezzotint, margin cut on three sides. framed 20.00
John Raphael Smith, 1740-1801
306 Lady Warwick, Mezzotint after Romney
Scratched letter proof. (3ne of the most beautiful
mezzotints. Invisibly repaired and margin restored
on three sides. See reproduction, page 81. 500.00
307 An Evening Walk
Delightful stipple engraving, with margin ; colored
by hand. 150.00
Virgil Solis, 1514-1562
308 Standard Bearer (Engraving on copper)
Bartsch 248
\'ery fine impression. 10.00
309 Circular Allegorical Design (Fall of Phaeton?)
Pen drawing with blue wash.
Diameter 3-}i inches. 35.00
Peter Soutman, 1580-1650
310 Emperor Frederick IV of Germany (Original Drawing)
Charcoal, India Ink and ^\'ater-color.
Design for the engra\ing bv V. \an Sompel, with the
print. ' 120.00
82
311
312
313
314
Rudolf Stang. Born 1831
Lo Sposalizio, after Raphael (Line-Engraving)
Epreme de Remarque : The flower on the staff uf Jo-
seph left white. Impression of the greatest beauty. 60.00
Tobias Stimmer, 1539-1587
The Angel Appearing to the Shepherds (Original drawing)
Chiaroscuro effect. See reprtiduction.
7.)4 inches high, Sl-i inches wide. 120.00
Blind Musicians (Original drawing)
In Chiarcjscuro manner, I'en and India Ink with white
high-lights on dark grey paper.
63^ inches high, 7j,'8 inches wide. 90.00
Design for a Coat of Arms
Pen drawing, hexagonal, with slight red coloring.
4^4 inches high, 25/^ inches wide.
Collection Lanna. 50.00
T()Bi.\s Stim.mer
No. 312
83
Sl.■^ i)i':Kii()i:K
Nu. 316
Jonas Suyderhoef, 1600-1669
315 Jacob HoUebeek
Wussin 39
(i(H)(l impression of the second state. 18.00
316 Conrad Victor van Aken, after Frans Hals
Wussin 91
Good impression, only state.
See reproduction. 30.00
Paolo Toschi, 1788-1851
317 Madonna della Tenda, 1832 (Line-Engraving, after
Raphael)
LSeautiful impression, o])en letter prool. 24.00
318 Lo Spasimo di Sicilia (Christ bearing the Cross, after
Raphael)
i'rt)o[ ini])ressiini of supreme 1)eauty. unique in tliis
state and undescrilied in .\ppel. 75.00
84
Cornelis Troost, 1697-1750
319 The Bust of J. Campo Weyerman, surrounded by
Cupids
Original sanguine drawing, signed.
Collections Pinto and Habich.
7% inches high. 6 inches wide. 65.00
Unknown Italian Engraver (XVIth Century)
320 Abraham's Sacrifice
Bartsch XII, 22, 3
Wood-cut in chiaroscuro from 2 plates.
after Parmegiano. 20.00
321 Charity
Bartsch VIII, 3
Charming Chiaroscuro from three i^lates. after the
same. 12.00
Wallerant Vaillant, 1623-1677
(One of the first Mezzotinto Engravers)
322 Young Man, reading, seated before the statue of Cupid
W. 21
Early mezzotint, in good impression, with wide
margin. 20.00
Esaias van de Velde, 1590-1630
323 A Village Street, with groups of talking men (Original
Drawing)
E.xquisite design in black chalk.
4.)4 inches high, 6'S inches wide. 60.00
|. VAN nE Velde
No. 324
35.00
Jan van de Velde, 1598-1679
324 The Star of the Magi (Engraving in Goudt's manner)
Andresen
Charming- niglit piece after P. Mnlyn. Brilliant im-
pression of the first state, before the address of
■'Visscher." See reproduction.
325 Fire (Ignis), After W. Buytenweg
Andresen 33
lm])ressi(in nf the lirst state, before address of }. C.
A'isscher. 15.00
Dirck Vellert (Van Staren), Netherlands, about 1500
326 Temptation of Christ, Engraving
Bartsch 5 (1525)
(i( 1(1(1 impression ; rare. 25.00
86
CoRX. \'issciir:R
No 331
Agostino de Musis, called Veneziano, 1490-1540
327 Hercules and Antheus
Bartsch 347
Beautiful impression, before the retouches. 30.00
Francois Verdier, 1651-1730
328 Biblical Scene, Original drawing in black, red and
white chalks
Collections Peoli and Robert Hoe.
5.54 inches high, 10.>4 inches wide. 20.00
Nicolas Verkolje, 1673-1746
329 His Self-Pcrtrait, Original drawing
Beautiful design in India Ink.
10^ inches high, 6>4 inches wide. 50.00
Giuseppe Nicolo Vicentino (Ital., XVIth Century)
330 Hercules and the Lion
Bartsch VII, 17
^\'ood-cut in Chiaroscuro, from two jjlates.
First state, \ery rare. 75.00
87
Corn. \'issciiek
No. 332
Cornelis Visscher, 1618-1658
331 Head of an Old Woman, Original drawing, signed
Charcoal on \'ellum. See reproduction, page 87.
45^ inches high, 4}i inclies wide. 90.00
332 Portrait of Justus van Vondel, Engraving
D. 120 IV.
Brilhant impression. See reproduction 30.00
333 Peter Schrijver (Scriverius), after Soutman, 1649
W. 42
Brihiant impression of the third state. 75.00
Joris G. van Vliet. Born about 1610
334 Lot and His Daughters, after Rembrandt
Bartsch I
Brihiant impression of the first state, hefore the cross-
hatchings on the rock. See reproduction, page 89.
Collection Camljerlyn. 40.00
Giovanni Volpato, 1738-1803
335 The Stanzas of The Vatican, Line engravings after
Raphael
Complete set of nine, in superh proof impressions, he-
fore the lettering. together 200.00
88
J. G. VAN Vliet
No. 334
Martin deVos, 1531-1603
336 The Fall of the Giants, Original drawing
Pen and India ink, signed.
5% inches high, 3'/s inches wide.
20.00
William Ward, 1765-1825
337 The Gamesters, Mezzotint after Rev. Peters
Good impression with margin. framed 50.00
338 Morning, or Thoughts on Amusement for the Evening
Charming stipple engraving after Morland, printed in
Ijrown ; l)eautiful impression with full margin. 100.00
89
339 Thoughts of Matrimony, after John Raphael Smith
( )ne of the loxeliest stipple engravings, ct)lored by
hand, old fnll margin restored. 150.00
340 The Coquette, also known as the "The Cyprian Votary"
Charming and famous stipple engraving, after J. R.
Smith, trimmed to the oval, printed in colors, but
touched with the lirush. 180.00
341 Almeida, Wm. Ward del. et sculp.
Stipple engraving, printed in ci)lors, but touched with
the brush, small margin. Duplicate from the collec-
tion of the late J. P. Morgan. %
See reproduction. i)age 91. 200.00
Thomas Watson, 1748-1781
342 Henrietta, Countess of Rochester
Mezzotint, after P. Lely
One of the Windsor Beauties. Beautiful impression.
framed 50.00
343 Young Girl, reading, Mezzotint, after G. Schalken
Proof l:)efore the letter; beautiful imi)ression. 20.00
Antione Watteau, 1684-1721
(Attributed to)
344 Head of a Boy, Original drawing
E.xquisite design in red and black crayon.
Oval 5i/s inches high. 4;4 inches wide. 150.00
90
\\'iLLiAM Ward
Ni). 341
J. G. Wille. 1715-1808
345 Portrait of Christian Wolff, Prof, of Mathematics
CharminsJ and decoratix'e little print in tine impression.
12.00
Wierix Family. About 1600
346 Portrait of Philipp, Prince of Orange
Undescrihed print in an impression of great hrilliancv.
15.00
George Andreas Wolfgang, 1631-1716
347 Judith at the Tent of Holofernes
( )ne of the earliest Alezztitints ; \ery rare. 15.00
91
Jan Wynants, 1625-1682
348 Landscape, Original drawing
Charcoal and wash, 10 inches high, 13 ',s inches wide.
See reproduction below. 80.00
Antonio Maria, Count Zanetti (Ital. XVIIIth Century)
349 Young Man, standing, after Parmegiano, 1721
Lovely chiaroscuro- wood-cut from three plates. 30.00
Reiner Nooms, called Zeeman. Born 1612
350 Seascape, Etching
Bartsch 37 I
Good impression, Ijefore the address of Clement de
Jonghe.
T.\N WVNANTS
10.00
No. 348
92
CHRONOLOGICAL INDEX (Arranged in Groups)
I. ENGRAVINGS AND ETCHINGS
A. German and Netherland Masters of the XVth and XVIth Centuries
Nos.
Martin Schongaucr 1445-1491 294-298
Monograiiiist A. G. (Glockenton) End of XVth Cent. 137-138
Monogramist M. Z. (Zasinger) End of XVth Cent. 206-207
Albrecht Diirer 1471-1528 93-112
Lucas van Leyden 1494-1533 166-175
The Little Masters
Heinrich Aldegrever
Albrecht Altdorfer
Anonymous Engravers
Barthel Beham
Hans Seljald Bchani
Jacob Bink
Monogramist H. S. E.
Georg Pencz
Hans Seliald Lautensack
Theodor de Bry
Alaert Claes
Dirck Vellert (van Staren)
Wierix Family
B. Italian Engravers
Peregrino da Cesena (Nielli)
Andrea Mantegna
Benedetto Montagna
Marc Antonio Raimondi
Agostina de Musi (Veneziano)
Monogramist F. G.
Ugo da Carpi
Antonio Fantuzzi, da Trento
Unknown Chiaroscuro Engravers
Gius. Nicolo Vicentino
Bartolomeo Coriolano
Count A. M. Zanetti
C. Dutch Etchers and Engravers, XVIIth Century
Cornelis Bcga
Abraham Blootelingh
Cornelis van Dalen
Claes Corn. DelfT
Willem Jacobz Delff
Anthony van Dyck
Hendrick Gohzius
Christoffcl Jeglier
93
1502-1562
1-3
1488-1538
4-11
XVIth Century
14-16
1502-1540
32-34
1500-1550
35-45
1490-1560
51-52
XVIth Century
205
1500-1550
244-246
1524-1564
159-162
1528-1598
63-64
1520-1555
80-81
about 1525
326
about 1600
346
XVth Century
247
1431-1506
187-192
1500-1540 (about)
203
1475-1534
251-269
1490-1540
327
about 1537
204
born aliout 1486
72-77
1508-1550
129
XVIth Century
320-321
XVIth Century
330
1590-1649
82
1721
349
entury
1620-U.64
29-30
1634-1685
54
1602-1664
83
died 1620
84
1580-1638
85
1599-1641
116-122
1558-1616
139-144
1620-1670
156-157
Adrian van Ostade
Rembrandt van Rijn
Jonas Suyderhoef
Wallerant Vaillant
Jan van de Velde
Cornells Visscher
Joris G. Van Vliet
Reiner Xooms, called Zeeman
D. French, German and Spanish Engra
Jacques Callot
Gerard Edelinck
Job. Fricdr. Leonart
Claude Gellee. called Le Lorrain
Antoine Masson
Claude Mellan
Jean Morin
Robert Nanteuil
J. Ribera. II Spagnoletto
Geora Andreas Wolfsfan.s:
E. Engravings of the XVIIIth Century
Francesco Bartolozzi
Isaac Beckett
Louis Marin Bonnet
M. H. Bonnier
H. W. Bun1)ury
Gilles Demarteau
John Downman
Richard Earloni
John Faber
Thomas Frye
James Gillray
J. B. Grateloup
Valentine Greene
Alexander van Haeckcn
William Humphrey
J. B. Jackson
Pierre Adrien Le Beau
Charles Louis Lingee
Roljert S. Marcuard
George Morland
John Ogborne
Richard Purcell
William Wynne Ryland
I'ierre Savart
Heinrich Sintzenich
John Smith
Jolm Raphael Smith
William Ward
Thomas Watson
J, G. Wille
94
1610-1685
2i7-2i'>^
1606-1665
270-283
1600-1669
315-316
1623-1677
i22
1598-1079
i2A-i2-:<
1618-1658
ii2-iii
born 1610
334
born 1612
350
XVIIth Century
1592-1635
66-68
1640-1707
125-126
1633-1680
164
1600-1682
183-184
1636-1700
195-196
1598-1688
198
1600-1666
211
1630-1678
216-235
1588-1656
285
1631-1716
347
1730-1813
19-25
1653-1715
26-27
1743-1793
56
1740-1814
58
died 1811
65
1729-1776
86
1769-1824
91
1728-1822
123-124
1684-1755
127-128
1710-1762
132
1757-1815
136
1735-1817
150
1739-1813
151
1735
152
1740-1795
154
1701-1754
155
1776
163
born 1753
176
1751-1792
193-194
1763-1804
212-213
1725-1795
236
1)Orn 1736
250
1729-1783
289
1750-1778
291-293
1752-1812
301
1654-1719
302-305
1740-1811
306-307
1765-1825
337-341
1748-1781
342-343
1715-1808
345
1779-1857
87-89
born 1811
158
born 1800
182
1766-1831
179-181
born 1810
185-186
1758-1833
208-210
1782-1816
214
born 1831
311
1788-1851
317-318
1738-1803
335
F. Line-Engravers of the Late XVIIIth and Early XlXth Centuries
A. G. L. Boucher-Desnoj-er
Joseph von Keller
C. L, A. Loriclion
Ginseppe Longhi
Eduard Mandel
Rapliael Morghen
Christian Friedr. Miiller
Rudolf Stang
Paolo Toschi
Giovanni Yolpato
IL DRAWINGS
XVth and XVIth Centuries
Primitive (iornian
Jost Animann
Herri met de Bles (Blesins)
Joerg Breu
Wolf Hul)er
Christ Murer
Virgil Solis
Toljias Stimmer
Luca Cambiaso
Domenico Canipagnola
Dom. Zanipieri. Domenichiiio
Ottavio Leoni
XVIIth Century
Jac. Adr. Backer
Corn. Bega
Aljr. Begeyn
Nicolas Bergheni
Leonard Branier
Jan Bronl<horst
Cornelis Dnsart
Anthony van Dyck
Aart van Gelder
Hendrick Goltzius
Jan van Goyen
Job. Lingelbach
Jan Livens
Jacob Matham
Willem van Mieris
Jan Miense Molenaer
Adrian van Ostade
Crispin de Passe
School of Rembrandt
School of Rubens
Jacob van Rnysdael
Salomon van Ruysdael
Herman Saftlevcn
about 1400
249
1539-1591
12-13
XVIth Century
53
1480-1537
60-61
1480-1544
153
1558-1614
215
1514-1562
309
1539-1587
312-314
1527-1585
69
1484-1556
70
1581-1641
90
1574-1628
165
1608-1D51
17-18
1620-1664
28
1630-1697
31
1620-1683
49
1596-1674
59
1648-1727
62
1665-1704
113-114
1599-1641
115
1645-1727
134-135
1558-1616
145-147
1596-1656
148-149
1625-1687
177
1607-1663
178
1571-1631
197
1635-1681
200
1600-1668
201-202
1610-1685
239
1540-1^29
242
about 1650
284
aliout 1640
286
1628-1682
287
1600-1670
288
1(109-1685
290
95
Peter Soutnian
Esaias van de Velde
Nicolas Yerkolje
Cornelis Visscher
Martin de Vos
Jan Wynants
Stefano della Bella
Robert Boissard
Jean Parrocel
Charles Parrocel
Francois Verdier
Alonzo Cano
XVIIIth Century
Marie Jeanne Bernard
Francois Boucher
Honore Fragonard
J. B. Joseph Pater
Andre Portail
Antoine Watteau
Francesco Bartolozzi
G. B. Cipriani
Thomas Gainsborough
C. Kirkpatrick Sharpe
Aart Schouman
Cornelis Troost
1580-1650
310
1590-1630
223
1673-1746
329
1618-1658
331
1531-1603
336
1625-1682
348
1610-1664
46-48
about 1600
55
1648-1704
240
1688-1752
241
1651-1730
328
1601-1665
71
1740-1804
50
1704-1770
57
1732-1806
130-131
1695-1736
243
died 1760
248
1684-1721
344
1730-1813
20
1727-1785
78-79
1724-1788
138
18th Century
300
1710-1788
299
1697-1750
319
PREVIOUS SPECIAL CATALOGUES OF
R. EDERHEIMER - PRINT CABINET
No. 1 Lucas van Leyden. Illustrated. With introduction by
R. E. November, 1908.
No. 2 Marc Antonio and the other Italian engravers of the
XVIth Century. Illustrated. Introduction by R. E.
October, 1909.
No. 3 Martin Schongauer. Richly illustrated. Introduction by
R. E. December, 1911.
No. 4 Mantegna and the other early Italian engravers. Illus-
trated. With introduction by R. E. December,
1912.
No. 5 Robert Nanteuil. With thirteen reproductions and an
introduction by Louis R. Metcalfe. October, 1913.
No. 6 Original Drawings by Old Masters. Illustrated. With
introduction. December, 1913.
No. 7 Diirer, Lucas van Leyden and Marc Antonio Raimondi.
With introduction and Diirer's Mystical Tetralogy.
A Fantasy in Verse by R. E. January, 1914.
No. 8 Original Drawings by Old Masters. Illustrated. With
Introduction. February, 1915.
No. 9 Portrait Engravings, XVIIth Century. April, 1915.
fu
4^
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